About Pastels
In my classes, students use their own photographs for painting reference. Something that the student has photographed or sketched has a more personal meaning, and will make for a more satisfying painting adventure. I will explain concepts and share my 50+ years of painting experiences and give each student my attention and support. I believe that the process, the journey- whatever, is the joy and to explore some “what if’s” along the way is all part of it. I do not expect for my students to copy or learn my style, nor do I want you to. I will teach you as much as I can about the pastel medium, advise you about other mediums as best I can, but it's you who fires up the artist within you.
For your first class at Sutter Street Pastels, please arrive a hour earlier for your first session with me so I can do a short demo while you observe. Depending on your experience, you'll either work on your own version of the demo subject or can move on and do your own. I don't expect a new student to complete a painting in one session but to work at a comfortable pace. It's not a competition.
Pastels are regarded universally as paintings, even though they are produced in a mostly drawing-like process. Pastels are permanent (AND more so) than any other medium. Pastel paintings from the 17th century are as fresh today as when they were first put down. I consider them to be a perfect segue between drawing and painting- the tactile sensations of laying pastel down on sanded paper is a unique and satisfying discovery. Pastels are made of finely ground mineral pigments, not dyes, and a binding agent. Cheap pastels use a lot of materials like calcium carbonate (aka chalk) and augment the mineral pigments with dyes which are not as permanent. Cheap art materials will frustrate the hell out of you, they don't cover well, colors are off and so on. I do not use oil pastels at this time, I simply prefer "soft" pastels.
"Soft" pastels can be confusing in that within this "soft" category there are hard "soft" pastels and varying degrees of soft pastels. Hard pastels (I use Nupastels and Polychromos) are very effective on a sanded paper such as I have available for my classes (I make my own). I use the Nupastels first as a blocking-in layer and then continue on with Rembrandts, Grumbachers, Senneliers etc...or not- maybe Nupastels will be all I need. On smoother papers one will find a softer pastel such as Sennelier or Schmincke will be more effective.
Materials Recommended for my Pastel Classes
Prismacolor Nupastels (96 sticks)- minimum (Mandatory)
The Sennelier Paris selection 120 half-stick set is a great addition to a pastelists' arsenal...this set is very versatile, the pastels are very soft and have an exceptional color range. One can never have too many pastels...(Note! Yes one can- watch out!!!)
Pastel pencils- dark brown, dark grayish blue, sky blue, sanguine ( I use Carb Othello)
Bulldog Drawing clips
1” wide blue painters tape (not from dollar store)
Factis brand or white vinyl eraser- NO KNEADED ERASERS (they leave gooey residue on sanded paper!)
Small, Stiff brush- “Old School” Typewriter eraser pencils with the brush on them are excellent also! Pencil tip erasers are good, too
Moist Towlettes to clean hands
Paper towels
Drawing Board 20 x 25 inches approx. One can go to a big-box hardware store and get a piece of 1/4" pressboard cut to an even bigger size.
I have available at my studio my own brand of sanded paper I make, which is very similar to Art Spectrum® brand paper but perhaps a tad toothier. I use a toned, medium - value paper and never use white.
Class Times
Tuesdays and Wednesdays in Folsom at my studio at 815 Sutter Street Ste "C"
10am to 12 noon and 7pm to 9 pm.
Only one spot remaining as of 01/24/2019: Tuesday Morning Class 10 AM to 12 Noon. $75/Month. I have one opening available! Sign up now!! Starts June 2019 - ongoing
Tuition Fee Information:
I offer two class sessions per person per week $100 with a month-long enrollment. One two-hour session/week @ $75, Tuesday morning or evening.
I'll occasionally have a Saturday session or a trip outdoors for plein air fun.
Instructor Barry Jamison Sutter Street Pastels 530.391.1898
******
Prismacolor Nupastels (96 sticks)- minimum (Mandatory)
The Sennelier Paris selection 120 half-stick set is a great addition to a pastelists' arsenal...this set is very versatile, the pastels are very soft and have an exceptional color range. One can never have too many pastels...(Note! Yes one can- watch out!!!)
Pastel pencils- dark brown, dark grayish blue, sky blue, sanguine ( I use Carb Othello)
Bulldog Drawing clips
1” wide blue painters tape (not from dollar store)
Factis brand or white vinyl eraser- NO KNEADED ERASERS (they leave gooey residue on sanded paper!)
Small, Stiff brush- “Old School” Typewriter eraser pencils with the brush on them are excellent also! Pencil tip erasers are good, too
Moist Towlettes to clean hands
Paper towels
Drawing Board 20 x 25 inches approx. One can go to a big-box hardware store and get a piece of 1/4" pressboard cut to an even bigger size.
I have available at my studio my own brand of sanded paper I make, which is very similar to Art Spectrum® brand paper but perhaps a tad toothier. I use a toned, medium - value paper and never use white.
Class Times
Tuesdays and Wednesdays in Folsom at my studio at 815 Sutter Street Ste "C"
10am to 12 noon and 7pm to 9 pm.
Only one spot remaining as of 01/24/2019: Tuesday Morning Class 10 AM to 12 Noon. $75/Month. I have one opening available! Sign up now!! Starts June 2019 - ongoing
Tuition Fee Information:
I offer two class sessions per person per week $100 with a month-long enrollment. One two-hour session/week @ $75, Tuesday morning or evening.
I'll occasionally have a Saturday session or a trip outdoors for plein air fun.
Instructor Barry Jamison Sutter Street Pastels 530.391.1898
******